A monitor or projected screen display a swirling tunnel moving through a star field. Points of light float towards the player in a patterned movement. The player stands in front of the piece holding a PS Move controller (a small baton illuminated at one end to act as a computer vision tracking beacon) which controls the movement of an eye-like glowing avatar on screen. The player’s goal is to move the avatar in line with the on coming points of light and collect as many of them as possible. As the player collects them, a narrative starts to unfold verbally.
The theme of the piece relates to the concept of reincarnation and thus the narrative follows the story of a character’s life, highlighting a key moment from their experience as a human. At several gameplay thresholds (or levels), the player is confronted by a large rotating geometric shape which they must pass through. If the player has successfully collected enough light, they will pass through the shape into the next level where the process continues. The light is symbolic of forgiveness, harbouring the idea that souls will repeat their journey’s through the earth plane learning lessons and letting go of their pent up karma. Each level is symbolic of a different chakra being represented by the colours, sonic palette, and narrative theme.
If the player fails to collect enough light to pass through any of the seven levels, they are returned to the beginning of the experience but with a different narrative signifying that the soul has gone back to the earth plane, lived another life and is now attempting ascendance again.
We’ve been porting Between over to the Oculus Rift recently (WIP):
Interactive videogame with sound
Don’t Let Them Die is a digital artwork created using game technology and exhibiting an element of emergent gameplay / narrative. A large screen or projection shows a mountainscape viewed from the sky filled with flocking birds swirling around the viewpoint in a seemingly random pattern. The track ‘Ghosts 1’ by Nine Inch Nails plays in the background giving a creating an ambience of melancholy and commiseration.
The behaviour of the birds is dictated by Craig Reynold’s ‘Boid’ algorithm, a common method for simulating the effect of flocking in birds and fish. Treating it as a heuristic model, the piece encourages viewers to also interpret the algorithm as a metaphor for how people relate to one another as agents within society.
The piece is not directly interactable however is designed as a game in that it has an explicit goal which is to keep the birds alive. The piece is internet enabled and pulls in live stock data from some of the top performing stocks in the world; if the prices of the stocks suddenly crash, then all the birds slowly curl up and fall from the sky in slowed motion. The message being portrayed by the piece is that the viewers of the piece are tasked to continue contributing to capitalist society, driving the economy forward and keeping the status quo.
Although the message is on the surface pro-capitalist, there are subtle undertones of a human urge to break free from societal and systemic constraints. The birds seem free, flying in which ever direction they choose across a seemingly endless landscape; however, they are almost entirely constrained. The birds exist within a computer simulation, the sky is merely a static backdrop, and their behaviour is completely dictated by an algorithm that they are unaware of.